What's wrong at Ronnie's?
The bald gentleman sitting behind us had had enough. "I would rather be castrated with a cheese grater than listen to any more of this rubbish", he said, and with that he breathed one last waft of halitosis in our direction, picked up his fancy lady and made for the exit, leaving three quarters of a bottle of Moet undrunk on his table. We all breathed a sigh of relief. It is generally agreed that Ronnie Scott's has lost its mojo ever since Sally Green took it over in 2005 and gave it an expensive refurbishment (£2.38 million to place a pillar in front of every table). The Standard's jazz critic, Jack Massarik, was briefly banned after he wrote a piece compaining about its high prices, loss of atmosphere and disastrous bookings policy. Under Greene's owneship, and the artistic directorship of Leo Green, who departed at the end of last year, Ronnie's has pitched itself at people like our bald friend, who spend lots of money on champagne and talk over the jazz as they try to seduce their secretaries. The fact that the well-known jazz legend Craig David played there says a lot. But the booking of two young English bands for three nights last week seemed a welcome step back in the right direction, even if playing a cymbal with a violin bow (as Polar Bear did) wasn't to everyone's tastes. However, the front of house staff were off-message, scarcely disguising their disgust at the younger, less flash clientele the bands brought in; on point of principle, Polar Bear only agreed to play if Ronnie's reduced their standard ticket price of £35. In the old days - when I actually didn't have much cash but enjoyed £10 student tickets, now discontinued - I remember being thoroughly charmed by the maitre d', who would reward everyone simply for having the good taste to drop by. By contrast, last week, the front-of-house staff tutted us in the direction of the worst table in the place, nearly exploded when we moved without asking permission, then again when we failed to order anything very expensive. Making them listen to a cymbal being played with a violin bow for three consecutive evenings seems a good way to begin their punishment.
The scene was legendary jazz club Ronnie Scott's, last week, where two young jazz groups - the delightful Curios and the bracingly avant-garde Polar Bear - were making their debuts. The departure of said gentleman, who spent Polar Bear's set emitting burps and such comments as "cheer up you miserable bastards", felt like a victory for the forces of jazz-good against the forces of jazz-bad - and Lord knows there have been few of these in recent years.





Have been to Ronnie Scotts twice; once to hear an excellent jazz vocal quartet, the second time to hear Jimmy Webb. The setup was OK, but the prices were pretty outrageous. Because I suspect we looked more like the kind of couple who would buy a bottle of champers (but didn't) service was pretty decent but it was clear the expectation was you would spend a LOT more money, including tips. Compared with Club 606, which is all atmosphere, interesting artists and music and without the crippling costs, Ronnies is probably destined to become a tourist trap than a lure for jazz afficianados.
Posted by: Helene Davidson | 23/04/2008 at 05:35 PM
Four of us went to see Polar Bear and the Curios and we all agreed it was a great gig. Innovative, exciting contemporary music of high quality and not too hard on the listener as some "modern" stuff is.
Ronnie's were polite with us - but then we did eat dinner. I wondered why the tickets were a bit cheaper - thanks for explaining that.
However, the place was far from full and that is really the problem. If we don't turn out in force to support real jazz then we can expect Ronnie's to continue to pander to the rich tourists by serving up aging Motown stars etc. Actually, a glance at the next few weeks reveals some serious jazz at Ronnies. Pity we can't afford it.
Posted by: Peter Hutchinson | 25/04/2008 at 06:12 PM
I have been a member of Ronnies Scott's since 1972 but I stopped my membership in 2005. For me, Ronnie' Scott was the greatest jazz club in the world and I loved it. The place was run by musicians for musicians. One could hear top American artists for a reasonable fee at the door. Beer price was the same as in the pub. Now the atmosphere, the friendliness and finally the music have gone. It costs twice as much to hear Chick Corea at Ronnie's than it costs at the Barbican or the RFH. Second and third divisions players have started to top the bill at the club. As a result, it costs £35+ to hear a band which one could hear any day of the week at another venue for £12. What stupidity. Ronnie Scott's club is a jazz club which can only be run by people who have a deep understanding of the music.
Posted by: Christian Him | 26/04/2008 at 01:23 PM
It's a real shame as it used to be unbeatably good, the smoke hung in the air, the alcohol flowed cheap and friendly and the jazz was first rate. On my most recent trip I did get the very distinct impression that Ronnie Scotts was being run by people who don't understand the first thing about running a good restaurant or indeed a good club, let alone what makes a good jazz club.
As Christian him said earlier you're better off at the Barbican.
Posted by: Neil Evans | 30/04/2008 at 10:31 AM